like Jacob Lawrence, Norman Lewis,

We can't make meaning out of these enormous statistics.

Beauty is an adaptive effect, which we extend and intensify in the creation and enjoyment of works of art and entertainment.

And he's controlling the ear movement. BJ

They did a study with origami where they had professional origami makers, you know, doing the paper, it looked amazing.

Now, The Grey Album is a remix.

These phosphors can even cause cancer.

I think we could do something with this.

Really, if you think about what it's doing here.

There are hundreds of student innovators with fantastic projects.

And skin at the other end also represents the floor.

Nell is interested in agricultural processes, and her work is based in these practices.

And what that does, is it inscribes the individual into the space of the institution.

And all the men and women

Artist Shepard Fairey has frequently used existing art in his work.

So I'd like to play this video.

In the course of this Goodbye Art series,

It's a research crop marijuana grow room.

Through that small little slit between the glass box and the wood, the air goes underneath the sculpture and creates the other one.

Just very quickly to say that my point really here, is that while we're making all these huge advancements, what we're doing, which for me, you know, I think we should

And so I've always had a big interest in this.

(Laughter)

I have always wanted, through this work, other festivals, and other works as well, to create performances in the concept of from watching to experiencing .

This one actually didn't go anywhere, but I got my feet wet doing this.

In this case I'm showing more the designers' work, because they're the ones that have really been stimulated.

I continued studying craft traditions and collaborating with artisans, next in Lithuania with lace makers.

I guess they were pottery aficionados, that came to look at these pots.

And she's making weather on her body's scale.

It's actually for each pair character one and character two, it's going to add one each time there's a book they have in common.

So yeah.

My mother told me to take it smaller.

Up to 1,000 people a day came to the rescue center.

And to me this was a key component that somehow, through this medium of photography, which allows us to contemplate these landscapes, that I thought photography was perfectly suited to doing this type of work.

He also creates phantasmagoric sculptures made of bones from cast resin.

And they did.

So I made series of images, cuttings, and I assembled them in portfolios.

What do you think happened then?

So I did a few prototypes. I got a small little grant at Stanford.

When I go into a gallery, first of all, I go quite fast, and I look at everything, and I pinpoint the ones that make me slow down for some reason or other.

We compared his work with hers.

Here. Look forward to it!

I pushed all the theories that I had on story at the time to the limits of my understanding on this project.

So all of our construction of reality is through these limited senses.

So the lamp is not just giving a light, it's also giving a darkness.

But I find that for myself, without exception, the more I deal with the work as something of my own, as something that is personal, the more successful it is as something that's compelling, interesting and sustaining.