But imagine we're looking at an ice skating rink from above.

So it was evolving upwards.

Well, what can we do to freshen this thing up?

It would give out on me, and I would watch the guys,

So, as humbling and rotten as it was And believe me, it was rotten.

Oh, that's him, that's Haslam, that's Koston, there's these guys, these are the guys.

The skater spun round and round on the ice.

The skater spun around like a top.

And it's fascinating.

Now what is going to happen?

At this moment in time, all the rest of the skaters turn their lines 90 degrees to stay out of his way.

Freestyle itself we developed all these flat ground tricks, as you saw, but there was evolving a new kind of skateboarding, where guys were taking it to the streets, and they were using that ollie,

So the force, the inward force, the tension from the rope pulling on the skater, in this situation, would have only changed the skater's direction.

And another example of how the context changed, and the creative process for me and for most skaters, is, you go, you get out of the car, you check for security, you check for stuff.

So an unbalanced force doesn't necessarily have to impact an objects speed, it often does, but in this situation it would have only impacted the skater's direction.

They'll keep going on in that direction and if we assume there is a very small amount of friction from the ice skating rink, they'll have the same speed.

The first ice is especially interesting and perfect, being hard, dark, and transparent, and affords the best opportunity that ever offers for examining the bottom where it is shallow for you can lie at your length on ice only an inch thick, like a skater insect on the surface of the water, and study the bottom at your leisure, only two or three inches distant, like a picture behind a glass, and the water is necessarily always smooth then.