I think you're absolutely right, Raphel is beginning to step out of his master shadow.

Hello, Raphael.

Well, to assess, for example, the state of conservation. See here the face of the

But also, technology has helped to write new pages of our history, or at least to update pages of our histories.

So, make no mistake, this is painting that is to clearly ??? to Perugino, why?

We're in the Brera, in Milan and we're looking at an important early Raphael

Rembrandt's Landscape With Good Samaritan and Raphael's Portrait of a Youth, which has never been found.

This painting is often compared to an early renaissance painting by Raphael's teacher Perugino The Giving of the Keys to Saint Peter and you can begin to see here in this early work by Raphael indications of what we understand now as the high renaissance style as opposed to the kind of stiffness of the 15th century of the early renaissance.

The people're refocusing here and there.

And there is a beautiful sense of elegance, especially in the version of Mary, she is painted so tenderly and she stands in a lovely counterpose though, tilts her head down.

And (Laughter) no problem, but, unfortunately, continuing with the scientific examination of this painting came out that Rafael did not paint the unicorn, did not paint the puppy dog, actually left the painting unfinished, so all this writing about the exotic symbol of the unicorn (Laughter) unfortunately, is not very reliable.