The lights. What lights?

We have something that's not going up.

Stage lights? Yes.

Double illuminate

It's not up to me.

So this is how we normally would light our offices.

Directional lighting

Use lighting

Flat lighting

Horton, illumination round.

Audrey, the flare gun!

first it was smashing that light, which was weird.

The lights were malfunctioning.

All right.

Hit the lights, please.

A droid attack flare?

But now we're trying to get the video. There we go. MK

Okay, it wasn't the lights.

Now I'm frowning.

Original screenplay Byun Won mi amp Song Min ho Screenplay revised by Gwak Jae yong

(Laughter)

Haas Video Production

I think I'll try some romantic lighting.

Yellow tee, four klicks.

I've got a flare gun and a couple of flares.

(Laughter)

Now you can see the world in a new light with IKEA.

You know, you may have smartphones, right? Oh!

Nice lighting design, who's the lighting designer?

What about lighting? Natural light is best.

Cinematography by NA Seungyong Lighting by PARK Sehmoon

Hurry up, switch on the illuminator.

The sun is shining brightly.

I'd like to do this one.

This is a picture of the people

like in this building the High Museum in Atlanta, which has been created by Renzo Piano from Italy, together with Arup Lighting, a brilliant team of lighting designers, who created a very subtle modulation of light across the space, responding to what the sun does outside, just because of all these beautiful openings in the roof.

There's a beautiful statement on the screen that says,

And Technical Codes, Junior has three sons

Four squads, battle lanterns... gas mask, tear gas.

That's them right there.

Daemons run the lights, daemons manage the elevators, the security systems...

They ought to be coming around before long.

We have to think again about light as a default solution.

Both shooting into the background, exposing the background so that it's white.

And we can just send up a signal flare.