There's world records that are on this as well.

One story leads to another.

(Laughter)

(Laughter)

Listen.

So what is the lesson behind it?

But I find that for myself, without exception, the more I deal with the work as something of my own, as something that is personal, the more successful it is as something that's compelling, interesting and sustaining.

Another role that I like to take on is that of the performance artist.

(Applause ends)

That one actually made a lot more sense than the others.

In relation to making,

The point is to not hate ourselves for having them.

To let Parley know the grammatical meaning of a word type.

Lessons?

Second comes the lesson.

And that too is a relatively new idea.

The examples could be marks or logos or slogans.

Here it's an artist book installation called Identity Project.

Never leave your leader.

When this came out on television, the value of her art dropped to nothing.

This one is called What the Fuck Was I Thinking?

The moon, a church, a cypress tree.

Keep this lesson in mind.

Well remind me not to do that.

But that's a mistake.

So the first time I worked with colors was by making these mosaics of Pantone swatches.

But not my work

Lesson one, get used to that.

I'd never really memorialized myself.

So I decided to create a piece which is a self portrait piece.

But I'd never done anything about myself.

You know, I bet there's a lesson to be learned

Of course, none of them liked it.

I had to tell 'em.

I imagine what can be said with them.

And we need help. Of course, we need help.

(Laughter)

So Firefly's totally sealed.

Hmm. The moral of the story is...

Nunez didn't walk very much at all. He didn't get on base very much. So when we took that into account, the model did better.

Examples are marks and logos and slogans.

The second example from music is from John Cage's modernist composition,

You can probably tell Frank Gehry and I come from the same town.

From a literary point of view, his work is a failure.

The Petrocelli is... How?