In this case what we're doing is we're taking the orchestra floor, lifting it up, spinning it, changing the rake, taking it back to flat floor, changing the rake again.

listen to this.

Tilts the earth's axis towards the user.

Stefan Von Bergen

Tilt up.

In essence, you can begin to define rakes and viewing angles of people in the orchestra seating, at will.

Here you see that the balconies actually have to move out of the way in order to bring a thrust into the space.

Tilts the earth's axis away from the user.

So if I do something that hurts you, I feel that pain.

I can speed up the whole sequence by tilting the tempo one way or the other.

Take a seat.

It doesn't change the inclination of the line.

There are effects that you can control live, like reverb and filter.

Always listen...

May I share this table with you?

This gesture is just putting two fingers down it's defining an axis of tilt and I can tilt up and down that way.

So when x is equal to 0, y is equal to minus 1.

I'll take attendance first.

There's a giant maze, and Joey's sitting there, and the maze is moving when you tilt the tablet.

So we have a y intercept of negative 2, 1, 2, and now the slope is 1 2.

The balconies come down, you see that the orchestra begins to have a rake that's frontal towards the end stage, and the seats come in.

Take your seats

We have only two choices

Listen everyone!

Let me write this down.

looking straight down on this plane, that intersection would be a circle.

I will join it!

I'll attend.

And those are the parents who like to

Can you make room for me?

So we have a general formula for no matter what my delta x is, I can find the slow between 3 and 3 plus delta x.

Tilt the wheel to your right.

Of course, if the robot were tilted, inclined to the horizontal, then it would accelerate in this direction.

In this case the intersection of the plane and the cone is going to intersect right at that point.

Well, it's just that we're already near capacity...

So that's interesting.

Listen to your heart.

They like to listen to consonant melodies instead of dissonant melodies.

Listen in on people, keep your ears open. You're bound to hear something.

And I think what Herbie said please listen, listen.

Would you make room for me?

Looks like the current line's slope is a little too high.

Excuse me, this is my seat.

Excuse me, but this is my seat.

Yes, well, it's been some time now. Are you right to find your seat?